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In 1998, his solo play Shakespeare's Villains premièred at London's Haymarket Theatre and was nominated for a Society of London Theatre Laurence Olivier Award for Best Entertainment. For his first directorial job at the UK's Royal National Theatre, Berkoff revived the play with a new cast at the Lyttelton Auditorium it opened in November 1989. In 1988, Berkoff directed an interpretation of Salome by Oscar Wilde, performed in slow motion, at the Gate Theatre, Dublin. It is the kind of theatre that inspires us to use superlatives, whether in praise or condemnation. At its best, this kind of theatre is so powerful, so visceral, that it forces audiences to react: either they feel like fleeing the building or they are suddenly convinced that it is the best thing they have ever seen and want all their friends to see it too. The language is usually filthy, characters talk about unmentionable subjects, take their clothes off, have sex, humiliate each other, experience unpleasant emotions, become suddenly violent. ĭrama critic Aleks Sierz describes Berkoff's dramatic style as " In-yer-face theatre": Berkoff described Sink the Belgrano! as "even by my modest standards.
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In the 1970s and 1980s, he wrote a series of verse plays including East (1975), Greek (1980), and Decadence (1981), followed by West (1983) (later adapted and recorded at Limehouse Studios for transmission on Channel 4 in 1983), Harry's Christmas (Lunch) (also recorded at Limehouse Studios in 1983 but was never transmitted by C4 as it was considered "too dark"), Sink the Belgrano! (1986), Massage (1997), and The Secret Love Life of Ophelia (2001).
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His earliest plays are adaptations of works by Franz Kafka: The Metamorphosis (1969) In the Penal Colony (1969), and The Trial (1971). Īs well as an actor, Berkoff is a noted playwright and theatre director. Career Theatre īerkoff started his theatre training in the Repertory Company at Her Majesty's Theatre in Barrow-in-Furness, for approximately two months, in June and July 1962. He took drama courses at City Literary Institute (1957–58), trained as an actor at the Webber Douglas Academy of Dramatic Art (1958–59), and later trained in physical theatre and mime at L'École Internationale de Théâtre Jacques Lecoq, graduating in 1965. In 1952, he was arrested for stealing a bicycle and was sentenced to three months in borstal. Berkoff attended Raine's Foundation Grammar School (1948–50) and Hackney Downs School (1950-1955). However, Berkoff's father struggled to find work, and after a few months the family returned to England. In 1947 he and his family emigrated to the United States, sailing from Southampton aboard the Queen Elizabeth to live with relatives of Berkoff's mother in Nyack, New York. ĭuring World War II, Berkoff, his sister and their mother were evacuated to Luton, Bedfordshire in 1942. Steven (who had been known as Leslie growing up) later legally changed his surname to Berkoff and went by his middle name. The family name was originally Berkowitz, but Steven's father anglicised it to Berks in order to aid the family's assimilation into British society. He comes from a Jewish family his grandparents emigrated to England in the 1890s, his paternal grandparents from Romania, and his maternal grandparents from Russia.
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He had an older sister, Beryl (1930-before 2010).
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īerkoff was born Leslie Steven Berks on 3 August 1937, in Stepney in the East End of London, the son of Pauline "Polly" (née Hyman), a housewife, and Alfred "Al" Berks, a tailor.
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Podovsky in Rambo: First Blood Part II (1985) and Adolf Hitler in the TV mini-series War and Remembrance (1988–89). Īs a film actor, he is known for his performances in villainous roles, including the portrayals of General Orlov in the James Bond film Octopussy (1983), Victor Maitland in Beverly Hills Cop (1984), Lt. His work has sometimes been viewed as an example of in-yer-face theatre, due to the intense presentation and taboo-breaking material in a number of his plays. Steven Berkoff (born Leslie Steven Berks 3 August 1937) is a British actor, author, playwright, theatre practitioner and theatre director.Īs a theatre maker he is recognised for staging work with a heightened performance style eponymously known as "Berkovian theatre", which combines elements of physical theatre, total theatre and expressionism. LA Weekly Theater Award for Solo Performance (2000) Total Theatre Lifetime Achievement Award (1997)